![]() I will try to explain how to draw landscapes with such an impression using soft pastel pencils. The most effective mean in achieving the depth and sense of space on your drawing is the use of colour and tone in such a manner to create effects of live atmospheric perspective. Smooth with your fingers to blend in the color.Maybe the biggest challenge for any landscape artist is creating depth and impression of space on a flat piece of paper. Gently rub some brown chalk pastel on the right side of the apple. Blend the highlight edges so they are soft and fuzzy and blend into the main color.Ħ. Choose your main apple color and gently fill the apple, coloring around the white highlight. Blend it in so it is smooth and has fuzzy edges.ĥ. ![]() Take a white chalk pastel and color in a oval or squarish shape near the top left corner to make a highlight. This will help keep the chalk dust from spreading to the background, or at least minimize it.Ĥ. Trace it again to make a very thick line. ![]() Draw an apple that FILLS one sheet of paper.ģ. Colored paper, I used Recollections cardstock in Navy and Purple*ġ.These apples worked out gloriously well, if you ask me, and making them on brightly colored card stock boosted the color and was more forgiving of smudges. I’ve tried them in dozens of projects, and keep coming back to the fact that they do best with super simple, super large, very uncomplicated shapes. My recommendation is to try to control them as little as possible. Perhaps more projects would benefit from just being plain BIG?Ĭhalk pastels can create some amazing color, but they are the hardest thing to try to control. One interesting result of watching students finish was that the scale of the project seemed to engage them more than usual. Using chalk pastels, color in all the different areas and blend them with their fingers.(Tip: this was done in their homerooms at the end of the day.) Students trace all their pencil lines with white glue, and let their portraits dry flat overnight.Eyes are drawn in the middle, the bottom of the nose halfway down, and the mouth centered in the space remaining. An oval that was just inches in from all sides is first, then the facial proportions. Demonstrate how to draw a face that fills up an 18″ x 24″ paper.Students can make their large pencil sketches anytime, but save the glue step as the last event of the day, and leave the art to dry overnight. No, the solution is to save this for the end of the day, and just use your flat desks as drying racks. Most racks are always a little slanted, so even if you could get a drawing in there, the glue would run to one side and pretty much ruin the art. This class had no puddles or unrecognizable glue shapes anywhere.Īre you trying to envision how to stack 35 giant glue drawings in a drawing rack? My answer is simply to not even try. ![]() The large paper lets students draw with more control, so much more than if they had been working on a 9″x 12″ paper. SEASONAL & HOLIDAY DRAWING IDEAS Expand.
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